国际传统音乐学会第42届世界大会

42nd World Conference of the ICTM

2013年11日至17日，联合国教科文组织下属的“国际传统音乐学会”将在上海音乐学院举行第42届年会。来自全球56个国家和地区的逾700位学者、表演艺术家、民间艺人参与其中。

作为“孔雀舞王”第二代传人，傣族表演艺术家约相将以祖孙五人同台的方式，展示原汁原味的“雄孔雀舞”。而由日本、韩国、越南传统音乐家和上海爱乐乐团合作的《东亚之夜》音乐会将碰撞出古典东方韵味。此外，上海音乐学院教授叶国辉的《唐朝传来的音乐》，以中日韩三国的传统乐器与管风琴、交响乐队演奏“混搭”，试图为亚洲传统音乐寻找新突破。

基本情况

所属学科：  艺术学

开始日期：  2013-07-11

结束日期：  2013-07-14

所在国家：  中华人民共和国

所在城市：  上海市   黄浦区

具体地点：  上海音乐学院

主办单位：  上海音乐学院 国际传统音乐学会

 

会议背景

上海是中国的四大直辖市之一，是中国经济与文化发展的中心城市之一。上海1843年上海开埠，是中国最早向世界开放的城市，也是东亚地区在近现代历史上最早面对不同东、西方文化碰撞、交融的城市之一。近年来，随着中国经济建设的发展，上海愈益成为现代化、国际化的大都市。并领衔长江三角洲诸地城市，而有望成为世界第六大都市群。在文化方面，上海既存有以江南水乡文化、文人文化的传统底蕴，又发展了市民文化和国际多元文化渗透交融的都市“海”派的开放性特征。在音乐上，并存着江南丝竹、沪剧、道教音乐等中国传统音乐品种，又是西方古典音乐在东亚传播最早的着陆点和窗口之一，此外现代摇滚、爵士、移民音乐等多元的声音交织成了这座城市兼容并蓄、色彩斑斓的音乐文化现状。

　　

为了促进中国学者更广泛地参与ICTM框架下的学术活动，上海音乐学院特向ICTM理事会申请承办2013年国际传统音乐学会（ICTM）第42届年会，并获得成功。此次大会将在　2013年7月11日　-17日于上海音乐学院举行。　　

 

会议征文范围及要求

1. 少数民族音乐与舞蹈的呈现和再现　　　　

在一个有着55个受官方认可的少数民族国家中举行会议是围绕某主题展开进一步讨论的绝好机会，近年来，这已在ICTM会议中产生了一些令人兴奋的成果。我们将“少数民族”理解为“由于文化、种族、社会、宗教或经济等方面原因所形成的某些区别于主导族群的人类族群”。该主题的部分议题可以包括：1）不同时空中人们对少数民族定义和对待方式；2）少数民族在私人领域和公共领域的表演环境；3）在不同媒介背景下的少数民族及其音乐舞蹈的再现；4)少数民族间关系（以及少数民族与主流民族的关系）在音乐和舞蹈上的反映；5）在应用民族音乐学框架下的教育视角及其改善的可能性。　　　　

　 　　　

2. 音乐历史的再思考、重建和革新　　　　

该主题强调再现民族音乐学与民族舞蹈学中文化实践的历史维度，以及研究者参与民族志历史书写的不同方式。该主题意在探讨历史在传递和影响文化实践中所起的作用的并开启一条研究者为现实目的而运用历史资源的路径。会议论文也可以研究这种再现是如何受到文化政治的调配的，特别是在民族主义以及地方主义运动、抑或是草根运动当中。当复兴主义运动常常成为民族音乐学的民族志书写主题时，音乐历史也可以以其它方式给我们的研究传递信息，并以新的意义建立起当代的实践。这一主题的另一维度是历史、史学及表演的交叉。在某些国家或地区，新的知识可能挑战有关起源、连续性和创新等方面的官方话语，并且，历史事实与当代美学观念以及商业活力之间的张力亦并不鲜见。本主题也欢迎那些讨论历史在研究中的地位、以及为当代目的而重构的音乐历史个案研究的论文。　　　　

　 　　　

3. 民族音乐学、民族舞蹈学和教育　　　　

视教育为一种代际相传的知识，以及通过文化构建达到代际间的进程，可使得教育在跨学科方法的音乐和舞蹈研究中获益，这些方法对于某些领域来说至关重要，例如民族音乐学和民族舞蹈学。本论题包括了社会文化和政治决定因素及其对于教育进程、音乐舞蹈教育的制度化、国家政策与地区政策的对比、课程和适当的教育代码、传递过程和技巧、或是对于知识合法性的隔代或地区性的争论；音乐和舞蹈传统的传播方式之间的互动、综合或是冲突。在音乐舞蹈学院和表演艺术学校中所形成的现代标准化实践也应纳入批判性和比较性讨论的范围。　　　　

　 　　　

4. 仪式、宗教及其表演艺术　　　　

在多数社会中，音乐、舞蹈或是戏剧总是与多国宗教传统发生着联系。例如基督教、佛教、伊斯兰教或是某些地方信仰体系和带有超自然现象的沟通实践。宗教中的表演艺术和仪式不仅与宗教仪式和庆典相结合，也与不同的戏剧和舞剧传统中相结合，如那些专为神灵或是与宗教节日共同表演的戏剧和舞剧。我们也希望能有涉及到表演的仪式化内容的论文，即便这些内容是在世俗的背景环境下，即J. H. Kwabena Nketia所谓的 “熟悉的形式和内容被再生产、再创造、再展演，它们也因此成为了审美行为的焦点。”　　　　

　 　　　

5. 影视音乐和舞蹈　　　　

电影和电视在文化交流和沟通中起了非常重要的作用，尤其在21世纪。音乐和舞蹈的研究者以广泛的方式参与到电影和电视中去，他们利用这些媒体平台获取信息资源和传播研究结果。研究者、文化机构和文化实践的参与群体也利用视觉媒体保存和传递非物质文化遗产。这些成果在我们的跨学科实践中占据了重要位置，比如每年举行的ICTM世界会议中发放的学术期刊评论和影片。该主题欢迎那些在音乐和舞蹈研究中涉及到电影、电视和其他视像媒体的评论性或描述性的文章。这为那些视觉媒体的制造者提供了从研究的角度讨论其产品及其相关问题的机会，例如批判性地认识视觉媒体的作用。这一主题可包含视像媒体产品和消费的任何方面，包括在应用民族音乐学中的电影配乐、音乐录影带、电视节目、纪录片制作、视觉媒体、网络，等等。我们也欢迎那些涉及电影和电视在文化再现中作用的批判性文章。　　　　

　 　　　

6. 我们也欢迎新的研究及其它相关主题的提案。　　

 

国际传统音乐学会（ICTM）第42届世界大会日程安排

ICTM Shanghai: Preliminary Program (12 May 2013)

 

Study Group Meetings

July 11, 13:30            Performing Arts of Southeast Asia

July 12, 10:15            Mediterranean Music Studies

July 12, 14:00            Music and Dance in Southeastern Europe

July 12, 16:00            Applied Ethnomusicology

July 13, 12:15            Musics of East Asia

July 13, 14:00            East Asian Historical Musical Sources

July 13, 16:00            Multipart Music

July 13, 18:00            Maqām and Music in the Arab World

July 15, 10:15            Iconography of the Performing Arts

July 15, 13:30            Music of the Turkic-Speaking World

July 15, 16:00            Music and Dance of Oceania

July 16, 10:15            Iconography of the Performing Arts      

July 16, 13:30            African Musics

July 16, 16:00            Music and Minorities

 

Thursday, July 11

IA Opening Ceremony (9:00 – 10:00)

 

10:00 – 10:15 Tea and Coffee Break

 

IB Paper Sessions (10:15 – 12:15)

IB1 Performing Musical Pasts for Identity Formation among Chinese Individuals. Tasaw Hsin-Chu Lu, chair.

10:15 Nostalgia in Guoyue: Zi-Ming Gao as Diasporic Individual after 1949 in Taiwan. Tsai Ho-ju

10:45 Coming Out in the Closet: Girls’ Generation and Sexual Politics in Gay Bars in Taiwan. Lai Yen-fu

11:15  Changes in Amei’s Pop Music: The Art of Resistance from Amei to Amit. Peng Wei-hao

11:45 “”The Imaginative China: Nostalgia in Martial Arts TV Original Soundtracks in 1980s’ Hong Kong.”” Chang Chia-Hsin

IB2 Interrogating the Concept of Tradition

10:15 Early Swedish Music in Deep Water. Cajsa Stromberg Lund

10:45 Which Past and What’s Tradition? Or, It’s Not My History, It’s History of My Moves. Juliette O’Brien

11:15 Thai Music in a Series of Archaeological Dances: An Interpretation of Historical Symbolic Meaning. Kitta Kongtuk

11:45 Evacuating “”Tradition”” in the Creativity Process of Contemporary Seychellois’ Musicians and Dancers or the Desire to be “”Modern.”” Marie-Christine Parent

IB3 Musical Moves in the Cold War Context

10:15 European Musicians in East Asia during the Second World War. Kyungbook Lee

10:45 Attraction and Repulsion: Lang Lang’s “”My Motherland”” and the Sino-US Cold War Legacy. Hsu Fang-Yu

11:15 Memories and Moving Forward: South Korean Military Bands and the Commemoration of the Korean War. Heejin Kim

IB4 Ritual Space and Performance

10:15 Performance as Art, Performance as Ritual: The Safeguarding of Mbira Dzavadzimu Music and Performance Practice through Shona Traditional Ritual Performances. Claudio Chipendo

10:45 Izumo Kagura: Interpretations of Japanese Ritual Theatre. Terence Lancashire

11:15 P’ansori in Multiple Ritual Spaces: Different Performing Spaces of One Musical Form in a Cross-border Korea-China Context. Ning Ying

11:45 Musical and Human Interaction in Puppet Plays from Rural Zhejiang: A Performative View. Li Ya

IB5 Role and Function of Music in Ritual I

10:15 Kirtan Chaunki: Affect, Embodiment, and Memory. Janice Protopapas

10:45 Connecting Symbolism, Function, and Difference in a Tibetan Adept’s “”Interpretative Community””: Variations in Ritual Performance of the Tibetan gCod Damaru Drum. Jeffrey Cupchick

11:15 Jurema: Sacred Music and Body Facing Racism and Sexism in the Northeast of Brazil. Laila Rosa

11:45 Regeneration and Transcendence through Rituals: The Disruptive Role of Choral Singing in Twentieth-Century Portugal. Maria de Rosário Pestana

IB6 Traditional African Music in Contemporary Contexts

10:15 “It’s the Real Thing””: The Marketing of an African Identity in a West African Dance Class. Elizabeth Rosner

10:45 Isukuti Music: An Academically Dwarfed Luyia Drum Music beyond the Drumming. Aggrey Nganyi Wetaba

11:15 The Musical Patrimonies of Bongo Pygmies from Gabon : Patrimonies under Influences. Sylvie Le Bomin

11:45 Constant Repertoire in Varying Performance Contexts: The Case of Djama Songs among the Youth in Ghana. Devine Gragbo

IB7 Embodying Concepts and Politics through Musical Performance

10:15 Embodied Rhythms: Understanding Music Making in a Community with Sidi Drumming as a Case Study. Vibhuti Sharma

10:45 Separating the Folk Sound from the Folk Body: Hereditary Musicians in India’s Vernacular Music Industry. Stefan Fiol

11:15 Presenting and Representing Gurung Music of Nepal. Pirkko Moisala

IB8 Festivals, Arts Policies, and Tradition

10:15 Representing Indigeneity Through Fusion Music and Dance. Liz Przybylski

10:45 Musical Transculturation at the 11th Festival of Pacific Arts: A Creative Approach to the Sustainability of Tradition in Francophone Pacific Islands. Geoffroy Colson

11:15 On Building Culture Space for the Heritage of Chinese Music: The Beijing Music Festival and Taichi Traditional Music Award. Zhao Talimu, Xie Jiaxing, and Liu Rong

IB9 Mediascapes, Musical Diversity, and Contemporary Theoretical Challenges

10:15 Genres and Fields. Timothy Taylor

10:45 “”Welcome to the World””: Traditional Music and Audio Recordings for Children. Kajsa Paullson

11:15 Diversity of Recorded Music Production Practice versus Diversity of Musical Style in Papua New Guinea. Denis Crowdy

IB11 (in Chinese). Yunnan Xishuangbanna Minority Musics Study. Luo Qin, chair. 

10:15 Arrangement and Creation: Two Changes of Songs in the Jinuo People’s Spring Festival “Tèmàokè.” Huang Wan

10:45 Song and Dance of the Green Desert: On the Development and Protection of Ethno Minority Music under the Natural Ecology and Social Ecology. Hu Bin

11:15 Listening to Musical Dialogues of Three Generations: A Study of Ecological Music Culture at Jinghong in Yunnan Province. Wu Yan

11:45  Let Me Understand Your Voice: From “National Identity,” Research on the Musical Ecology of Four Minorities in Xishuangbanna. Zhang Yuanli

 

12:15 – 13:30 Lunch

 

IC Plenary Session: Presention and Representation in Minority Music and Dance  (13:30 – 15:30). Ursula Hemetek, chair

13:30 Sounding History: Research on the Mongolian Instrument “”Chor.”” Xu Xin

14:00 Minorities Becoming Majorities? Papua New Guinea Music and Dance Representations. Don Niles

14:30 Indigenous Representations of Ritual Performances and Sacred Spaces in Sámi Cinema: A Case-study of Ofelaš (Pathfinder). Tina K. Ramnarine

15:00 Managing Minorities: Representations of South Sulawesi’s Music and Dance in Indonesia and Beyond. R. Anderson Sutton

 

15:30 – 16:00 Tea and Coffee Break

 

ID Paper Sessions (16:00 – 18:00)

ID1 Rethinking, Reconstructing, and Reinventing the Musical Pasts of the Chinese Diasporic Communities. Tsan-huang Tsai, chair

16:00 Transnationalism and Everyday Practice: Chinatown Theaters of North America in the 1920s. Nancy Yunhwa Rao

16:30 Vernacular Cosmopolitanism: Music of the Baba Local-Born Chinese of Pre-World War II Malaya. Sooi-Beng Tan

17:00 Cultural Capital and New-land Survival: Chinese Dragon Dance Performances during the White Australian Policy Era. Tsan-huang Tsai

17:30 Cultural Homogeneity, Embodied Empathy: Reconstructing the Musical Pasts amongst Burmese Chinese Peoples Worldwide. Hsin-Chun Lu

ID2 Musical Pasts and the Re-imagining of Identity: The Historiography of Ethnographic Practice in Music and Related Media. Peter Treager, chair.

16:00 19th-century “”Malayan Airs”” and the Historiography of Ethnographic Practice. David R. M. Irving

16:30 Re-imaging the Musical Past: Images of European Composers in the Mechanical Age. Alan Davison

17:00 Authenticity and Appropriation in Hollywood Film Scores. Peter Tregear

17:30 Nhạc tài tử: Lost in Translation. Le Tuyen Nguyen

ID3 Rethinking Historical Sources on Musical Practices

16:00 Portrait on the Double Ninth: A Glimpse into the Recirculation of Twelfth-Century Literati Music in Eighteenth-Century Yangzhou. Yang Yuanzheng

16:30 Hemitonic Pentatonic Scales in Chinese Music in the Past: An Evidence-based Study of Historical Musical Sources. Tse Chun Yan

17:00 Sheng and Yin: Embodying Aesthetics within the Chinese Zheng. Han Mei

17:30 Creating a Tradition: the Qinzheng School in Xi’an. Sun Zhuo

ID4 Recontextualizing Tradition

16:00 Cultural Recovery within a Musicking Society: Armenian Music in Turkey. Burcu Yildiz

16:30 The Place of the Minstrel (Aşık) Şeref Taşlıova in the Minstrel Performance Genre in Turkey. Armağan Elçi

17:00 Musical Historicity and Nationalism: A Case Study on Contemporary Re-Representations of a Sufi Qawwali Song in India and Pakistan. Huang Pei-Ling

17:30 Musical Migrations & Transformations: Contemporary manifestations of Middle Eastern Music in Australia. Jenny Game-Lopata

ID5 Roundtable: Frameworks for Musical Sustainability. Huib Schippers, chair.  Huib Schippers, Dan Bendrups, Keith Howard, and Phil Hayward, participants

ID6 Christian Music around the World

16:00 Inculturation and Catholic Music in Indonesia: A Case Study of the Church of the Sacred Heart of Jesus at Ganjuran (Paroki Hati Kudus Tuhan Yesus Ganjuran). Wu Peichang

16:30 The Plainchant through Four Hundred Years: Church Music, Religion, and Society of the Old Order Amish People in Lancaster County, Pennsylvania, USA. Yuanyuan Sun Voelkl

17:00 Revival and Innovation: The Praise and Worship Music Phenomenon of The Big Church of Qibao, Shanghai. Fang Bo

17:30 Indigenous Worship in African Churches: Six Stages of Music Development. James R. Krabill

ID7 New Perspectives on Musical Instruments

16:00 The Suona, a Treasure Bequeathed by the Chinese Minority to Cuban Music Culture. Rolando A. Pérez Fernández

16:30 A Viet Musician on a Hmong Flute: The Politics of Minority-Majority Musical Fusions in Vietnam. Lonán Ó Briain

17:00 Karna, Symbol of Ancient Heritage: How this Ancient Instrument Survives in the Isolation of a Small Village in North Iran, through Religious Rituals. Bahram Osqueezadeh and Roshanak Nouri

17:30 The Techniques and Theory of Guqin Dapu. Dai Xiaolian

ID8 Composition, Creativity, and Tradition

16:00 The Shakuhachi Player Yoshida Seifū and the Formation of New Japanese Music. Mamiko Naka

16:30 An Investigation of Three Chamber Works of George Crumb between 1966 and 1976. Ang-Cheng Kris